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Aleksandr Rodchenko: Photography in the Time of Stalin

Aleksandr Rodchenko: Photography in the Time of Stalin - Aglaya K. Glebova

Aleksandr Rodchenko: Photography in the Time of Stalin


Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union

"Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture

Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.

In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life.

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Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union

"Glebova's book is a valuable addition to the literature on this remarkable and always relevant figure."--Peter Lowe, Russian Art + Culture

Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.

In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life.

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Adrian_Roman 16/12/2024 21:35
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MA MOTIVEAZA SA COMUNIC CORECT DE CALITATE SI REZISTENT Produsul lui AGLAYA Glebova este exact precum in descriere. „ALEKSANDR Rodcenko: Fotografia in timpul lui Stalin”, prezentat aici de AGLAYA Glebova, in caz ca urmariti semnificatiile schimbatoare ale fotografiei la inceputul Uniunii Sovietice, reconsidera relatia dintre arta si politica in timpul a ceea ce este de obicei considerat sfarsitul avangardei critice. ALEKSANDR Rodcenko, un artist rus si unul dintre fondatorii constructivismului, a imbratisat fotografia ca mijloc al modernitatii revolutionare. Cu toate acestea, opera sa fotografica intre sfarsitul anilor 1920 si sfarsitul anilor 1930 prezinta o cautare extinsa a unui limbaj pictural diferit. Cu siguranta luna viitoare voi face achizitii similare pentru produsul Dumneavoastra. Foarte motivat de achizitia facuta. Va multumesc mult de tot!
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