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American Legends: The Life of Ginger Rogers

De (autor): Charles River

American Legends: The Life of Ginger Rogers - Charles River

American Legends: The Life of Ginger Rogers

De (autor): Charles River

*Includes pictures of Ginger and important people, places, and scenes.
*Comprehensively analyzes her relationship with Fred Astaire and their films together.
*Includes a Bibliography for further reading.
"I adored Fred. We were good friends. Our only problem is that we never aspired to be any kind of a team. We didn't want to be Abbott and Costello. We thought of ourselves as individuals. We didn't intend to be another Frick and Frack. But it happened anyway, didn't it? And I'll be forever grateful it did." - Ginger Rogers
A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.
There is no denying that the career of Ginger Rogers cannot be entirely divorced from that of Fred Astaire. The unlikely pairing - Rogers was a statuesque blonde while Astaire fell well short of the masculine ideal expected of male movie stars - only made their screen romance more dreamlike, even as the physical contrasts between them melted away during their protracted dance numbers. Not only were Astaire and Rogers the preeminent box office attraction of the time period, but they remain the most recognizable faces of the musical genre as a whole. It is telling that, as Edward Gallafent notes, the duo are identified simply as Fred and Ginger, with no need to even provide their last names. Moreover, not only are films such as Top Hat (1935) and Shall We Dance (1937) cornerstones of the musical, but one of the great achievements of the Fred and Ginger team is that they never fell out of public favor. Indeed, the completeness of the Fred and Ginger pairing was punctuated by the fact that there was no bitter breakup between them, making it so that audiences are left only with the seamless screen romances between them.
Considering the immense success of their films together, it is entirely understandable that Astaire and Rogers are joined at the hip in the eyes of the public. However, an appreciation for the Fred and Ginger musicals is only enhanced by knowledge of the personal backgrounds of the two stars. After all, the fact remains that Astaire and Rogers came from vastly different cultural backgrounds, and at the time that they me
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*Includes pictures of Ginger and important people, places, and scenes.
*Comprehensively analyzes her relationship with Fred Astaire and their films together.
*Includes a Bibliography for further reading.
"I adored Fred. We were good friends. Our only problem is that we never aspired to be any kind of a team. We didn't want to be Abbott and Costello. We thought of ourselves as individuals. We didn't intend to be another Frick and Frack. But it happened anyway, didn't it? And I'll be forever grateful it did." - Ginger Rogers
A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.
There is no denying that the career of Ginger Rogers cannot be entirely divorced from that of Fred Astaire. The unlikely pairing - Rogers was a statuesque blonde while Astaire fell well short of the masculine ideal expected of male movie stars - only made their screen romance more dreamlike, even as the physical contrasts between them melted away during their protracted dance numbers. Not only were Astaire and Rogers the preeminent box office attraction of the time period, but they remain the most recognizable faces of the musical genre as a whole. It is telling that, as Edward Gallafent notes, the duo are identified simply as Fred and Ginger, with no need to even provide their last names. Moreover, not only are films such as Top Hat (1935) and Shall We Dance (1937) cornerstones of the musical, but one of the great achievements of the Fred and Ginger team is that they never fell out of public favor. Indeed, the completeness of the Fred and Ginger pairing was punctuated by the fact that there was no bitter breakup between them, making it so that audiences are left only with the seamless screen romances between them.
Considering the immense success of their films together, it is entirely understandable that Astaire and Rogers are joined at the hip in the eyes of the public. However, an appreciation for the Fred and Ginger musicals is only enhanced by knowledge of the personal backgrounds of the two stars. After all, the fact remains that Astaire and Rogers came from vastly different cultural backgrounds, and at the time that they me
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