Catherine Bresner's Can We Anything We See initiates a new mode of ekphrasis in the postinternet age. In this long poem, Bresner explores the ways in which current technologies, specifically artificial intelligence, outline the uncanny valley of speculative thought and shape a sense of personhood. In lines that sometimes act as captions or ciphers (or both), Bresner allows for the caesuras of breath and contemplation, in consideration of the digital landscape human beings currently find themselves in. Simultaneously present, prescient, and timeless, Can We Anything We See invites infinite readings.