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Conjure Codex 4: A Compendium of Invocation, Evocation, and Conjuration

Conjure Codex 4: A Compendium of Invocation, Evocation, and Conjuration - Erzebet Barthold

Conjure Codex 4: A Compendium of Invocation, Evocation, and Conjuration


Hadean Press excel themselves in this time of crisis with perhaps the most diverse volume so far of Conjure Codex. Magical plant lore, always a relevant and welcome topic, is represented by Jack Grayle's contribution, The Golden Guest; while Cath Thompson guides us in a Contemplation of Gold employing the English Qaballa. So too the Greek Magical Papyri are present and correct, in the form of Shadowmancy and PGM's Rite of Helios, from Mani C. Price. Humberto Maggi surveys the long history of The Daimon and the Treasure from ancient beginnings to the legacy of the grimoires and beyond. Matters necromantic - an important aspect of our magical traditions - are explored by Gavin Fox, and the important and strangely neglected figure of Michael Scot is ably handled by Eldred Hieronymous Wormwood. In our first Picatrix related contribution J Swofford explores the magical imagery of the decans in The Picatrix Decan Art Project. A fascinating and most welcome exploration of territory entirely unfamiliar to me is provided by Erica Frevel, in Aztec Solar Magic: Blood and Gold, So too we welcome Veronica Rivas' Revelations of the Great Yogini Sera Khandro dealing with aspects of Buddhist tantra. Victoria Musson brings us Gold Ripens as much by Moonlight as Sun, exploring the origins of poppets and their relevance to a broad range of cultures and their esoteric practices. Last but by no means least Anthony Nine delivers the Guns of Brixton, a thoroughly modern and culturally significant piece which pulls no punches.

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Hadean Press excel themselves in this time of crisis with perhaps the most diverse volume so far of Conjure Codex. Magical plant lore, always a relevant and welcome topic, is represented by Jack Grayle's contribution, The Golden Guest; while Cath Thompson guides us in a Contemplation of Gold employing the English Qaballa. So too the Greek Magical Papyri are present and correct, in the form of Shadowmancy and PGM's Rite of Helios, from Mani C. Price. Humberto Maggi surveys the long history of The Daimon and the Treasure from ancient beginnings to the legacy of the grimoires and beyond. Matters necromantic - an important aspect of our magical traditions - are explored by Gavin Fox, and the important and strangely neglected figure of Michael Scot is ably handled by Eldred Hieronymous Wormwood. In our first Picatrix related contribution J Swofford explores the magical imagery of the decans in The Picatrix Decan Art Project. A fascinating and most welcome exploration of territory entirely unfamiliar to me is provided by Erica Frevel, in Aztec Solar Magic: Blood and Gold, So too we welcome Veronica Rivas' Revelations of the Great Yogini Sera Khandro dealing with aspects of Buddhist tantra. Victoria Musson brings us Gold Ripens as much by Moonlight as Sun, exploring the origins of poppets and their relevance to a broad range of cultures and their esoteric practices. Last but by no means least Anthony Nine delivers the Guns of Brixton, a thoroughly modern and culturally significant piece which pulls no punches.

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