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Cultural Appropriation and the Arts

Cultural Appropriation and the Arts - James O. Young

Cultural Appropriation and the Arts


Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
  • Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)
  • Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise
  • Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts
  • Questions considered include: "Can cultural appropriation result in the production of aesthetically successful works of art?" and "Is cultural appropriation in the arts morally objectionable?"
  • Part of the highly regarded New Directions in Aesthetics series
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Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise.
  • Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture)
  • Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise
  • Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts
  • Questions considered include: "Can cultural appropriation result in the production of aesthetically successful works of art?" and "Is cultural appropriation in the arts morally objectionable?"
  • Part of the highly regarded New Directions in Aesthetics series
Citeste mai mult

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