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History's Greatest Mystery: The Improbable Convergence of Four Images of Christ

History's Greatest Mystery: The Improbable Convergence of Four Images of Christ - Paul F. Caranci

History's Greatest Mystery: The Improbable Convergence of Four Images of Christ

It is the most studied cloth in history.

But is the Shroud of Turin simply a worthless fabric or is it a compelling chronicle of the Crucifixion and Resurrection of Jesus Christ? History's Greatest Mystery: The Improbable Convergence of Four Images of Christ offers compelling evidence of the authenticity of the Shroud.
By comparing and contrasting the evidence on the Shroud with that contained on two other historical pieces of fabric, the Veil of Veronica held in Manoppello, Italy, and the Sudarium of Oviedo secured in Oviedo, Spain, author and historian Paul F. Caranci begins to unravel the mystery. Using the plethora of available research into these cloths, and even unlocking information from some of the more obscure studies, the author offers a gripping argument for the Shroud's legitimacy.
Further, Caranci demonstrates how the image of Divine Mercy, an early 20th-century painting directed by the hand of God, and centuries of Eucharistic Miracles, support the authenticity of the Shroud of Turin as containing evidence of both the passion and death of Jesus, as well as His glorious Resurrection.

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It is the most studied cloth in history.

But is the Shroud of Turin simply a worthless fabric or is it a compelling chronicle of the Crucifixion and Resurrection of Jesus Christ? History's Greatest Mystery: The Improbable Convergence of Four Images of Christ offers compelling evidence of the authenticity of the Shroud.
By comparing and contrasting the evidence on the Shroud with that contained on two other historical pieces of fabric, the Veil of Veronica held in Manoppello, Italy, and the Sudarium of Oviedo secured in Oviedo, Spain, author and historian Paul F. Caranci begins to unravel the mystery. Using the plethora of available research into these cloths, and even unlocking information from some of the more obscure studies, the author offers a gripping argument for the Shroud's legitimacy.
Further, Caranci demonstrates how the image of Divine Mercy, an early 20th-century painting directed by the hand of God, and centuries of Eucharistic Miracles, support the authenticity of the Shroud of Turin as containing evidence of both the passion and death of Jesus, as well as His glorious Resurrection.

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