Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.
Galison's lovely Impressionists by the Water cards reproduce details of four different painters working on the shore: a woman in white gazing over the ocean in Childe Hassam's 1913 The South Ledges, Appledore; bathers frolicking on the beach at The Captain's Pier, by William Glackens; the red boats in Monet's Argenteuil from 1875; and a Renoir painting of figures on the beach with red-roofed houses and hills in the background.