Olivier Krischer is a historian and curator of modern and contemporary art from East Asia and its diasporas, with a particular interest in photomedia. His recent curatorial projects include Wei Leng Tay-Abridge and Wayfaring: Photography in 1970s-80s Taiwan (co-curated with Shuxia Chen), from which he is developing two edited books. Olivier is a lecturer in curating and cultural leadership at the University of New South Wales and in Asian art history at the National Art School. Contributors: Carolyn Barnes, Thomas J. Berghuis, Dietrich Bonhoeffer, Brian Castro, John Clark, Matt Cox, Marc Glöde, Pei Pei He, Claire Hielscher, Wolfgang Huber, Jacquline Lo, Sophie Loy-Wilson, Jennifer Mackenzie, Venita Poblocki, Nadia Rhook, Claire Roberts, Aaron Seeto, Anette Simojoki, Mikala Tai, Cyrus Tang, Caroline Turner, Sylvia D. Volz, and Jen Webb