One of the best known and simultaneously most notorious figures from Roman history, Nero (r. AD 54-68) is usually characterised as a tyrannical and ineffectual emperor, a ruler who proverbially 'fiddled while Rome burnt'. However, as new research demonstrates, this reputation is crudely reductive and was carefully crafted in antiquity by hostile elite authors, who envisioned a different form of rule more mindful of the demands of their own social and political class.
This publication redresses the balance and provides a more nuanced interpretation of Nero's reign and Roman society of the time, reflecting on the traditional perceptions of his rule and revealing the substantial external and internal challenges with which the sixteen-year-old heir to the Roman empire had to contend.

Nero's rule fell in an extended period of transition and profound social and economic change. The empire had grown rapidly during previous centuries, and an astonishing era of peace and prosperity followed the introduction of one-man rule after decades of bloody civil war under Nero's great-great-grandfather Augustus. However, political institutions and elite mindsets were slow to adjust to the resulting rise of former outsiders, people from the provinces and freed slaves.

The book considers in detail the resulting tensions and the challenging role of Nero's family within them. Powerful individuals, among them many women, including Nero's mother Agrippina, and his tutor and advisor Seneca, come to life against the backdrop of these times, when different court factions thought to manipulate the young ruler. At the same time, intriguing evidence - doodles and graffiti - from Rome, Pompeii and other Vesuvian cities gives voice to often very different attitudes of common people, completely ignored by the ancient literary sources.

In addition to these internal challenges, Nero inherited a great conflict with the rival power of the Parthians and unrest in unsettled newly conquered territories, including Britain. The book examines his military and diplomatic response and the powerful visual language - often disregarded - that presented him as a successful young military leader throughout the empire. Administrative and tax reforms culminated in 'populist' policies that also saw him embrace enthusiastically the possibilities offered through public entertainments (the circus, arena and theater) to communicate directly with his subjects and project a more direct,