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PICTURES OF CHANGE IN PARADISE in American Samoa (circa 1910)

De (autor): Karen Wheat

PICTURES OF CHANGE IN PARADISE in American Samoa (circa 1910) - Karen Wheat

PICTURES OF CHANGE IN PARADISE in American Samoa (circa 1910)

De (autor): Karen Wheat

Meredith, Reggie: - Regina (Reggie) Meredith has been Professor of Art at American Samoa Community College for the past three decades. A native of Tutuila, AS, she holds and MFA from San Diego State University. She is a master at the traditional Samoan bark cloth art of siapo. Reggie's commitment to the perpetuation of siapo includes working with conservators at the Smithsonian Institution's Museum of Natural History on the Samoan siapo collection from the 1800's. Handling the siapo from the past has given her a deeper connection to the ancestral art form. She says of the historic siapo that they "are richly made and show continuity in the motifs and elements that make this art form one to be proud of." Reggie learned the craft of siapo from the master of the previous generation, Mary Jewett Pritchard. It is interesting to note that Mary Jewett Pritchard was the daughter of Joseph Jewett, who was a good friend of Dwyer, the Collector of the Photographs, found in this book. She is also the great-grandaughter of A.D. (Albert David) Meredith, Dwyer;s right-hand assistant in his days in Pago Pago, AS.
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Meredith, Reggie: - Regina (Reggie) Meredith has been Professor of Art at American Samoa Community College for the past three decades. A native of Tutuila, AS, she holds and MFA from San Diego State University. She is a master at the traditional Samoan bark cloth art of siapo. Reggie's commitment to the perpetuation of siapo includes working with conservators at the Smithsonian Institution's Museum of Natural History on the Samoan siapo collection from the 1800's. Handling the siapo from the past has given her a deeper connection to the ancestral art form. She says of the historic siapo that they "are richly made and show continuity in the motifs and elements that make this art form one to be proud of." Reggie learned the craft of siapo from the master of the previous generation, Mary Jewett Pritchard. It is interesting to note that Mary Jewett Pritchard was the daughter of Joseph Jewett, who was a good friend of Dwyer, the Collector of the Photographs, found in this book. She is also the great-grandaughter of A.D. (Albert David) Meredith, Dwyer;s right-hand assistant in his days in Pago Pago, AS.
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