Playing for Time
Playing for Time
The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself.
Fania Fenelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world her music and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time.
Fania Fenelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world her music and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time.
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71.22Lei
71.22Lei
79.13 LeiPrimești 71 puncte
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The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself.
Fania Fenelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world her music and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time.
Fania Fenelon, a Parisian singer, is arrested by the Nazis and sent to Auschwitz. There, she finds herself swept into the orchestra, composed entirely of female prisoners and founded as entertainment for the camp commandants. As long as the orchestra continues to find favour, its members will be spared the gas chambers. But Fania is struggling with the corruption of what she holds most sacred in the world her music and the morals of the orchestra members are being ground down every day. They are, quite literally, playing for time.
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