This book is the core textbook of a quantum science of acting on stage and in life. At a time when the arts and sciences converge more than ever, Perceptual Acting and Directing theory and method (PAD) speaks about a contemporary, tangible metaphysics, fusing theories of quantum physics with mindfulness and the famous Method of the Actors' Studio, in a new harmony. Konstantin Stanislavski had said that the actor of the future, a new actor in the new life, is the one for whom art springs from spiritual intuition. He used the word Supraconscious, indicating to the actor the levels of consciousness he needed to attain. He considered the art of theater as the spiritual path to wholeness. PAD is the new system of translating and decoding, frame by frame, the experience, bringing us in touch with the higher self, by reference to Nietzsche's superhuman and the transcendental Kazantzakis, creating a new transitional space where everything is in motion and evolves in the face of inertia, continuously actualizing that Alma-Quantum Leap of being.