The best reason for publishing Ezra Pound's Italian broadcasts may be the simplest. Thousands of people have heard about them, scores have been affected by them, yet but a handful has ever heard or read them.

Here they are.

There are other compelling reasons, the first having to do with the magnitude of their author. No other American-and only a few individuals throughout the world-has left such a strong mark on so many aspects of the twentieth century: from poetry to economics, from theater to philosophy, from politics to pedagogy, from Provençal to Chinese. If Pound was not always totally accepted, at least he was unavoidably there.

Pound started to write for radio toward the end of 1940. The first scripts to be accepted were read in English by regular speakers of Radio Rome. In January 1941 he was able to record his own speeches, which were broadcast, on an average, twice a week. He wrote the texts at his home in Rapallo and on occasion in Rome where he traveled to record on discs a batch of 10 to 20 speeches. He wanted the discs to be transmitted in a particular order, but it is apparent from the discrepancies between his numbering system and the dates on which the Federal Communications Commission (FCC) recorded the speeches that the Italian officials did not always follow his plan, although in general the deviation was not great. He gathered news and information from Italian newspapers and whatever foreign papers he managed to obtain; from Italian broadcasts and any foreign station (especially the BBC) he could hear on his own radio; from conversations with friends, officials, and travelers; from letters of friends in America and other countries; and from his own library, which included back numbers of periodicals.