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The Summer of Ordinary Ways

The Summer of Ordinary Ways - Nicole Lea Helget

The Summer of Ordinary Ways

Unforgettable, sometimes hilarious images spill from a fierce and wondrous childhood into the pages of this memoir written by the winner of the 2004 "Speakeasy" Prize for Prose.
A memoir of a rural American girlhood from a fresh new literary voice.
Practicing baseball with Dad, then watching him go after a cow with a pitchfork in a fit of rage. Playing chicken on the county road with semi trucks full of hogs. Flirting with the milkman. Chasing with your sisters after Wreck and Bump, mangy mutts who prowl farmsteads killing chickens and drinking fuel oil. Dandelion wine. The ghost of a girl buried alive over a century ago. These unforgettable, sometimes hilarious images spill from a fierce and wondrous childhood into the pages of The Summer of Ordinary Ways.

Praise for The Summer of Ordinary Ways:

"Helget's debut begins with a staggering example of her father's brutality: he mercilessly beats a cow to death for not weaning her calf. Yet Helget refuses to succumb to a "woe is me" attitude, and she layers vignettes to create a lyrical story of growing up on a Minnesota farm in the 1980s, where her mother verges on insanity, her five unruly younger sisters get underfoot, and death is a familiar part of life. The memoir's charm lies in Helget's dulcet use of language; even as she describes the century-old death of a little girl accidentally buried alive, her words sing: "Colors explode behind her lids, the colors of poppies and apples and straw and cantaloupe and leaves and Monarchs and stars and sky. And yet... she struggles to open her eyes.... it's black where she is." The amalgamation of reminiscences appears random until the final piece, in which Helget weaves an account of her child self with that of her adult self, providing context for the previous memories. Pregnant and married at 19, lonely and isolated, Helget tantalizes with a brief peek at her adulthood, but it's enough, because the glimpses into her younger life so satisfyingly explain who she has become." --Publishers Weekly starred review

"Born in 1976, first-time author Helget grew up in Sleepy Eye, Minn., a deeply parochial place where her family tended 80 acres. Her father was a reluctant farmer--he played Triple-A ball for five years before the Red Sox let him go in 1977--and her mother was a reluctant parent, despite bearing six daughters. They rode an emotional roller coaster: Dad would lose himself in fierce moods, at one point pitch-forking a cow to death w
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Unforgettable, sometimes hilarious images spill from a fierce and wondrous childhood into the pages of this memoir written by the winner of the 2004 "Speakeasy" Prize for Prose.
A memoir of a rural American girlhood from a fresh new literary voice.
Practicing baseball with Dad, then watching him go after a cow with a pitchfork in a fit of rage. Playing chicken on the county road with semi trucks full of hogs. Flirting with the milkman. Chasing with your sisters after Wreck and Bump, mangy mutts who prowl farmsteads killing chickens and drinking fuel oil. Dandelion wine. The ghost of a girl buried alive over a century ago. These unforgettable, sometimes hilarious images spill from a fierce and wondrous childhood into the pages of The Summer of Ordinary Ways.

Praise for The Summer of Ordinary Ways:

"Helget's debut begins with a staggering example of her father's brutality: he mercilessly beats a cow to death for not weaning her calf. Yet Helget refuses to succumb to a "woe is me" attitude, and she layers vignettes to create a lyrical story of growing up on a Minnesota farm in the 1980s, where her mother verges on insanity, her five unruly younger sisters get underfoot, and death is a familiar part of life. The memoir's charm lies in Helget's dulcet use of language; even as she describes the century-old death of a little girl accidentally buried alive, her words sing: "Colors explode behind her lids, the colors of poppies and apples and straw and cantaloupe and leaves and Monarchs and stars and sky. And yet... she struggles to open her eyes.... it's black where she is." The amalgamation of reminiscences appears random until the final piece, in which Helget weaves an account of her child self with that of her adult self, providing context for the previous memories. Pregnant and married at 19, lonely and isolated, Helget tantalizes with a brief peek at her adulthood, but it's enough, because the glimpses into her younger life so satisfyingly explain who she has become." --Publishers Weekly starred review

"Born in 1976, first-time author Helget grew up in Sleepy Eye, Minn., a deeply parochial place where her family tended 80 acres. Her father was a reluctant farmer--he played Triple-A ball for five years before the Red Sox let him go in 1977--and her mother was a reluctant parent, despite bearing six daughters. They rode an emotional roller coaster: Dad would lose himself in fierce moods, at one point pitch-forking a cow to death w
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