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Women Photograph: What We See: Women and Nonbinary Perspectives Through the Lens

Women Photograph: What We See: Women and Nonbinary Perspectives Through the Lens - Daniella Zalcman

Women Photograph: What We See: Women and Nonbinary Perspectives Through the Lens

Daniella Zalcman is the founder of Women Photograph, a global, US-based non-profit that launched in 2017 to elevate the voices of women and nonbinary visual journalists. The private database includes more than 1,000 independent documentary photographers based in 100+ countries. Their mission is to shift the makeup of the photojournalism community and ensure that the industry's chief storytellers are as diverse as the communities they hope to represent. They believe that inclusion and equity work must be fully intersectional, and are committed to supporting and highlighting photographers across the spectrum of all identities.

Sara Ickow is the Senior Manager, Exhibitions and Collections at the International Center of Photography. Previously, she worked as a Curatorial Assistant and Collections Manager with the Smithsonian's National Portrait Gallery in their Department of Photographs and as a freelance collections manager. She holds an MA in art history from NYU's Institute of Fine Arts, where she studied photography and time-based media art and wrote her thesis on Walker Evans in the 1930s.

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Daniella Zalcman is the founder of Women Photograph, a global, US-based non-profit that launched in 2017 to elevate the voices of women and nonbinary visual journalists. The private database includes more than 1,000 independent documentary photographers based in 100+ countries. Their mission is to shift the makeup of the photojournalism community and ensure that the industry's chief storytellers are as diverse as the communities they hope to represent. They believe that inclusion and equity work must be fully intersectional, and are committed to supporting and highlighting photographers across the spectrum of all identities.

Sara Ickow is the Senior Manager, Exhibitions and Collections at the International Center of Photography. Previously, she worked as a Curatorial Assistant and Collections Manager with the Smithsonian's National Portrait Gallery in their Department of Photographs and as a freelance collections manager. She holds an MA in art history from NYU's Institute of Fine Arts, where she studied photography and time-based media art and wrote her thesis on Walker Evans in the 1930s.

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